Robert PRESLAR

略歴

2009年　12月 Graduated from the State University of New York at Albany, Faculty of Humanities, English Department, BA
2010年　9月 Fence Books　コンサルタント＜米国＞
2012年　12月 Graduated from the State University of New York at Albany, Faculty of Humanities, English Department, MA
2012年　8月 ECC Corporation　英語講師
2014年　4月 九州産業大学　非常勤講師
2016年　4月 中村学園大学　非常勤講師
2019年　4月 西南学院大学言語教育センター　助教
2021年　4月　 西南学院大学大学院文学研究科英文学専攻博士後期課程修了

研究テーマ

My research focuses on the films of Alfred Hitchcock and the texts (including novels, short stories, and stage plays) those films are based on.

研究概要

In achieving my MA degree from SUNY Albany, I took a special interest in the works of William Faulkner, Joseph Conrad, and Alfred Hitchcock, and in the philosophies and theories of Ferdinand de Saussure and Jacques Lacan. My current research focuses on adaptations, especially films directed by Alfred Hitchcock which have been adapted from novels or short stories. Viewing these films in light of their literary sources can provide new insights and perspectives on both film and text. In my PhD dissertation, “Webs of Signification in Hitchcock’s Adaptations: An Analysis of Interconnecting Tropes in The Lodger and Vertigo,” I analyzed the Hitchcock films The Lodger: A Story of the London Fog (1927) and Vertigo (1958) alongside their respective source texts (The Lodger by Marie Belloc Lowndes and D’entre les morts by Pierre Boileau and Thomas Narcejac). In this dissertation, the source texts of each film were investigated in order to explicate the differences and continuities between film and novel, as well as to better understand the ways that The Lodger and Vertigo relate to one another. Currently, I am analyzing Hitchcock’s 1929 film, Blackmail, in relation to the stage play on which it is based, paying particular attention to the ways that geographic movements and dialogue signify in both source text and adaptation. My research is not limited to film and literature, however. I have also investigated the ways that video games, specifically Detroit: Become Human (2018), relates to and is influenced by other, more classic literary works, such as Karel ?apek's 1920 stage play, R.U.R.

主要研究業績等

• Robert Preslar(2024) "Embodied Knowledge and Impenetrable Subjectivities: Lowndes' and Hitchcock's, The Lodger." Language, Literature, and Interdisciplinary Studies, vol. 6, no. 1, Apr. 2024, pp. 1.1-1.19.
• Robert Preslar(2020) "Traces of Poe's 'pestilent and mystic vapor' in Hitchcock's Vertigo" QUEST, vol. 25, 2020, pp. 1-15
• Robert Preslar(2017) "Making Sense: Materiality and Performance in Leslie Marmon Silko's Ceremony" Kyushu American Literature, no. 58, 2017, pp.1-13

• 一覧ページへ

学会発表

• Robert Preslar(2022) "Alfred Hitchcock's Vertigo: Guilt, Obsession, and the Revivification of the Past." InMind Support 4th International Interdisciplinary Conference, "Memory, Guilt and Shame." InMindsupport.com
• Robert Preslar, Tasuke Okamoto, Takashi Yagura, and Azrail(2019) "Playing American Literature, Reading Detroit: Become Human" The 2019 December Annual Meeting of the Kyushu American Literature Society, Seinan Gakuin University
• Robert Preslar(2019) "Traces of Poe's 'pestilent and mystic vapor' in Hitchcock's Vertigo" 65th Annual Kyushu American Literature Society Conference, The University of the Ryukyus

• 一覧ページへ

関連専門分野

Adaptation, Film Studies, American Literature

担当講義科目

• 一覧ページへ

活用可能な分野（社会への貢献等）

Film and literature pose questions concerning the most fundamental aspects of human experience, and offer the opportunity to discuss and to investigate a myriad of topics which will always be relevant to contemporary culture. The topics examined through my research often include but are by no means limited to issues of gender, violence, embodied identity, and the limitations of visual and linguistic expression.

研究者としてのニーズ

Access to research journals, books, and other materials relating to literature, film, literary criticism and philosophy.

高校等への出前講義テーマ

Considering how to “read” and discuss a film or a classic text, as well as how to form and express opinions on complex subjects.